see clinic photos
Mar, 19
Yamaha Drums in association with
Vic Firth, Remo, and Zildjian presents the Akira Jimbo Drum Clinic
held at West Coast Drum Center.
The evening starts
out with people slowly gathering at West Coast Drum Center. By the time the clinic was to start about 150 (+)
people were waiting to get in. It was standing room only! This was
going to be one great night. All of Yamaha’s west coast reps where
there. Why even Takashi "Snoop
Hagi" Hagiwara, master product
planner/designer at Yamaha drums, had made the event. After the
introductions by Darren Carr of W.C.D.C. and Joe Testa of Yamaha
Corporation of America, Akira
Jimbo came in, sat down at the
drums and began to play.
As he began playing something unusual caught my attention ~ I
could hear a melody coming from the drums. Akira had five trigger
pads (two on the right side and three on the left side of his drum
kit) that he had programmed to a set of single sequenced notes when
struck. One of the pads was used to change the sequence to a
different part of the musical piece has was playing. It was
brilliantly executed and quit thrilling to watch. After playing a
few songs (yes songs ~ not just some heavy beat and a mind-blowing
solo like most clinics you see) he tasteful mentioned his sponsors
and talked about his setup. “These are Yamaha Oak Custom
drums in universal sizes ~ very nice” and “these are Vic Firth Akira
Jimbo sticks ~ also, very nice.” Akira explained his method of
tuning the drums. He uses Remo clear Emperor heads on the top and
clear Ambassador heads on bottom of his toms tuning both heads to
the same pitch being careful not to choke the drum. That is to say
he tunes the drums each to its self (finding each drums best tone).
The toms where tuned close to thirds. If the drum has a longer
sustain then he likes he tunes the bottom head slightly higher. For
the bass drum he likes the Remo Power Stroke 3 just hand tightened.
Lastly, he uses coated Ambassadors cranked way down on his signature
Yamaha snare. Akira uses various “A” and “K” Zildjian cymbals. Here
I must apologize for the only size I caught was that the high hats
are 13” because he likes a fast, tight high hat sound.
He played a few more tunes; this time with more intensity doing
inverted down-stroke crashes, crossovers, and shredding rolls around
the kit. Akira showed great command in dexterity demonstrating
polyrhythmic patterns suck as clave on a woodblock with the left
foot when playing a jazz-rock beat while weaving a recognizable
melody on the trigger pads.
He stopped again to share some insights on technique and field
questions. Akira explained that there were two things he noticed
that great drummers possess ~ “a strong quarter note pulse and great
sounding drums.” He how he developed his left clave dexterity and
took a Steve Gadd paradiddle-diddle pattern and made it is own. On the
double bass work Akira leads with the left foot stating, “it’s more
logical because the left foot is keeping time already”. He talked
about working on your weakness by going slow and staying focused.
Akira answered questions about setting up the sequencer patterns and
warm up stretches.
He ended the clinic playing a James Bond theme tune. All in all
it was a fun filled evening and I had a blast. If you haven’t caught
Akira Jimbo please go out of your way too. It will be worth
it!
Yours,
BoneS