| Intro | Bio | Equipment | Gallery | Whats Up | Lessons | Links | Special Features | Contact |



Akira Jimbo Drum Clinic




see clinic photos

Mar, 19

Yamaha Drums in association with Vic Firth, Remo, and Zildjian presents the Akira Jimbo Drum Clinic held at West Coast Drum Center.

The evening starts out with people slowly gathering at West Coast Drum Center. By the time the clinic was to start about 150 (+) people were waiting to get in. It was standing room only! This was going to be one great night. All of Yamaha’s west coast reps where there. Why even Takashi "Snoop Hagi" Hagiwara, master product planner/designer at Yamaha drums, had made the event. After the introductions by Darren Carr of W.C.D.C. and Joe Testa of Yamaha Corporation of America, Akira Jimbo came in, sat down at the drums and began to play.

As he began playing something unusual caught my attention ~ I could hear a melody coming from the drums. Akira had five trigger pads (two on the right side and three on the left side of his drum kit) that he had programmed to a set of single sequenced notes when struck. One of the pads was used to change the sequence to a different part of the musical piece has was playing. It was brilliantly executed and quit thrilling to watch. After playing a few songs (yes songs ~ not just some heavy beat and a mind-blowing solo like most clinics you see) he tasteful mentioned his sponsors and talked about his setup. “These are Yamaha Oak Custom drums in universal sizes ~ very nice” and “these are Vic Firth Akira Jimbo sticks ~ also, very nice.” Akira explained his method of tuning the drums. He uses Remo clear Emperor heads on the top and clear Ambassador heads on bottom of his toms tuning both heads to the same pitch being careful not to choke the drum. That is to say he tunes the drums each to its self (finding each drums best tone). The toms where tuned close to thirds. If the drum has a longer sustain then he likes he tunes the bottom head slightly higher. For the bass drum he likes the Remo Power Stroke 3 just hand tightened. Lastly, he uses coated Ambassadors cranked way down on his signature Yamaha snare. Akira uses various “A” and “K” Zildjian cymbals. Here I must apologize for the only size I caught was that the high hats are 13” because he likes a fast, tight high hat sound.

He played a few more tunes; this time with more intensity doing inverted down-stroke crashes, crossovers, and shredding rolls around the kit. Akira showed great command in dexterity demonstrating polyrhythmic patterns suck as clave on a woodblock with the left foot when playing a jazz-rock beat while weaving a recognizable melody on the trigger pads.

He stopped again to share some insights on technique and field questions. Akira explained that there were two things he noticed that great drummers possess ~ “a strong quarter note pulse and great sounding drums.” He how he developed his left clave dexterity and took a Steve Gadd paradiddle-diddle pattern and made it is own. On the double bass work Akira leads with the left foot stating, “it’s more logical because the left foot is keeping time already”. He talked about working on your weakness by going slow and staying focused. Akira answered questions about setting up the sequencer patterns and warm up stretches.

He ended the clinic playing a James Bond theme tune. All in all it was a fun filled evening and I had a blast. If you haven’t caught Akira Jimbo please go out of your way too. It will be worth it!


Yours,

BoneS




Links

Akira Jimbo
Yamaha Drums
Vic Firth
Remo
Zildjian
West Coast Drum


Wasabi


Fujiyama


M D Festival 2000



 

 



Copyright © 2004, BoneS . All Rights Reserved.
Page last updated: Dec 21, 2004